|
 Anky van Grunsven of The Netherlands riding Keltec Salinero, scored 87.75% in the FEI World Cup Dressage Final Grand Prix Freestyle to Music, clinching her victory in the 21st annual FEI Dressage World Cup Final. The win in the Europahal at the RAI Center in Amsterdam, The Netherlands, marks the eighth time van Grunsven has won the World Cup and the third time she has won it with Gestion Salinero. The packed house of 7,400 spectators stood appreciatively as van Grunsven re-entered the brilliantly lit ring for the awards ceremony and after she lofted the glittering silver trophy, she announced to the crowd (in Dutch) that she wanted them to cheer and applaud only for the horse because he had once again amazed her.
"To be honest, I liked the whole test," said van Grunsven. "So far it’s the best test he’s done since I’ve had him. He was very, very relaxed and still going wherever he had to go. I felt like it was very easy today and that’s what you want in a test, so I was very, very happy."
Isabell Werth of Germany and the Hannoverian gelding Warum Nicht FRH scored 81.15% to earn second place. Jan Brink of Sweden aboard the Swedish Warmblood stallion Bjorsells Briar 899 notched 79.32% for third.
Only the top 12 riders from the 18 who competed in the Grand Prix on Thursday qualified for the FEI World Cup Dressage A-Final Grand Prix Freestyle Kur to Music to determine the title. The other six competed in the B-Final with Laura Bechtolsheimer of Great Britain aboard Douglas Dorsey topping that class.
All of the judges placed van Grunsven first in the kur and were tightly in unison in their scoring for both the technical and artistic elements of the ride. Officiating were Mr. W. Ernes (NED) at E; Mr. G. Rockwell (USA) at H; Mr. V. Truppa (ITA) at C; Mrs. K. Wust (GER) at M; and Mrs. B. Buchler-Keller (SUI) at B.
President of the Ground Jury Truppa said that he told his colleagues who were judging the World Cup in Amsterdam for the first time that the atmosphere of a World Cup is "magic" and that this event lived up to that description. He summed up the competition as "top sport."
Truppa noted that during van Grunsven’s performance, "I got really moved, and I gave her a 10 for the music." Van Grunsven’s orchestral soundtrack included versions of some contemporary easy listening tunes and was also soft and spare in some segments.
Van Grunsven, who has competed in 12 FEI Dressage World Cup Finals, won aboard Salinero (first called Gestion Salinero and now Keltec Salinero) previously in 2004 and 2005. (She also won with Bonfire in 1995, 1996, 1997, 1999 and 2000 with the horse known as Gestion Bonfire for the last two wins.)
Keltec Salinero’s transitions appeared flawless throughout and Van Grunsven acknowledged they were nearly seamless and certainly a strong point in his score. "I must say that I have this wonderful horse that is just a great talent for all these things. He’s amazing for me as well. This morning he was nervous in the warm-up ring because the crowd was there but when I rode him for the test he immediately felt really good. I couldn’t be happier and I don’t know what could have been a weak point today."
Second placed Werth has been riding Warum Nicht FRH for three years, but only for a year at the grand prix level. She created her own choreography and described it as "very difficult." Werth explained, "There are a lot of extensions and collections back-to-back and that’s very difficult and that makes all the difference." Her soundtrack included Queen’s Bohemian Rhapsody and Pomp and Circumstance, which she feels is music her horse "wears" well. Commenting on the challenge to catch van Grunsven’s score, Werth said. "I try my best. He’s only 10, and he grew up in such a good way. He’s getting more and more steady and relaxed. There’s no question that the horse is a world-class horse. He has to become more experienced, but the quality and potential is great and so we’ll see what happens."
Judge Rockwell said that Warum Nicht FRH is a "very exciting horse" and that it was nice to see a rider "creeping up" on van Grunsven, and compared it to the previous rivalry between Bonfire and Werth’s Gigolo. "He’s beautiful and has expression. He has everything. He’s dependable and she’s such a wonderful rider," Rockwell said. "He’s so beautifully trained and she gives him every opportunity to do the job."
Brink and his 15-year-old grand prix veteran Bjorsells Briar 899 placed second over Werth in the grand prix, but the two reversed positions in the freestyle. "My feeling in the grand prix was that I had my horse a little bit more in front of me and my leg," Brink explained. "He was okay today as well, but I had some small mistakes because of that. That has nothing to do with him; it has to do with how I warmed him up. Maybe I should make him a little bit more [forward] in the beginning, otherwise I was really in tune with the music."
Brink created his own choreography and teamed up with actress/singer Helena Lindquist to create the soundtrack. He noted that he used the final centerline as the finale of his ride. "It’s a long, long passage tour, and he’s really, really strong in that. Not many horses can stay up in this quality (half-pass, passage, half-pass, passage, piaffe and passage) for about one minute." He noted that it’s risk placing this at the end, but it’s his horse’s highlight "and with music I can really make something out of it."
Edward Gal of The Netherlands, who is van Grunsven’s student, entered the World Cup Final ranked second in the Western European League and second in the FEI/BCM Dressage Riders’ World Ranking List (van Grunsven was first in both) with the Dutch stallion Group 4 Lingh Securior, but he finished a mistake-ridden Grand Prix on Thursday, scoring 71.917% for sixth place. The pair rode to fourth place with a score of 79.07%.
The disappointing performances were due to a slight injury that went undiscovered until after the Grand Prix. "When I went into the grand prix there was nothing, then suddenly I felt in the first half-pass that he was responding weird on my leg on my right side," Gal explained, "but I didn’t know what it was, and I couldn’t do anything and that’s why he cantered in the piaffe and there were mistakes in the ones and the twos." After the test, Gal discovered there was a large swelling under the girth that had been visibly swelling during the test he was told. A veterinarian informed Gal that it was likely a "popped vein." The injury was iced for the next two days and the swelling began to go down.
Today it was not painful at all anymore," stated Gal, who had considered withdrawing from the competition. Still he noted that the injury was on his mind during the ride. "Mentally it was not good because we had a bad preparation" and during the ride he was sensitive to his horse’s responses to the aids, still listening for signs of the injury. The test improved as the ride progressed but Gal acknowledged, "It was not as good as it can be." He laughed that he felt himself "go white" when he entered the arena but as the test got better his color came back. "Normally I really like to ride the cure, but I’m happy that it’s over now."
Judge Rockwell commented on Gal’s performance, "Halfway through the test he became wonderful. Three judges had him third." He noted that the test was "a bit shaky at the start" but then he started awarding 8s and 9s.
Another rider who had a bit of bad luck in the World Cup was 24-year-old Laurens van Lieren of The Netherlands riding Hexagon’s Ollright. The pair placed fifth in the grand prix, but ended up seventh. Starting off with a lovely test, the pair incurred a big mistake in a transition early in the test that was compounded when a loud crash emitted from one of the VIP area balconies shortly after. The duo was attempting a segment that included extended trot, to piaffe, a pirouette and then extended trot back across the arena but the horse stopped in the pirouette to gasps from the crowd.
"I started my canter pirouette. He was really good and balanced and I perhaps wanted too much, but he did it because of the flashbulbs, that was the direct cause," explained van Lieren. "Normally that is like a piece of cake. His extensions are mega! His piaffe is really good." Van Lieren said he quickly got himself back together again and started the extended trot back when the crash resounded. "I was even more shocked than my horse. I lost every kind of feeling, contact, I was paralyzed and it took me too long to get that back," he noted. The rest of the test went as planned and the judges rewarded it with a score of 75.30%. "I must say I really, really owe it to my horse. I love him for it. He has such a good mind," enthused van Lieren.
Judge Truppa noted that the crash of dropped dishes affected the duo but "they didn’t lose their concentration and that was very good. All my colleagues didn’t punish it that much." But Truppa added, "It was really unfortunate."
American rider Arlene ‘Tuny’ Page also endured a ride not up to her hopes, earning a score of 69.65% and 12th place. She had exhibited the flashy freestyle to classic American oldies rock’n’roll tunes only once before--in the qualifier for the World Cup held last month in Florida. Almost immediately after the entry halt, Page started a double canter pirouette that went awry, and the mistake took seconds for the pair to re-group. The remainder of the test went smoothly, but they could not overcome the initial flaw.
I had the mistake in the beginning, and I quickly decided it needed to become a single pirouette that put me a little ahead of the music," Page explained. She adjusted her choreography in the next segment of moves "and I felt like I got right back on track."
After a daunting beginning, mentally, Page said she felt fine but added, "Was I disappointed? Of course. To not go over 70 in the freestyle you want to shoot yourself, but for me, again, the goal here was to introduce this horse to the international big sport. I did that and I think I did a great job with that. I can’t walk 10 feet without having people stop me and ask about this horse and to compliment me on him. We all know that you can go out there and make a whopping mistake in the freestyle and you’re cooked. What can I say? I’m really, really proud. I’m taking home a sound horse that’s learned a lot. I’m taking home my family that’s sucked it up for five weeks and been incredibly happy to do it. That’s been a really edifying thing here."
Page also noted that she was "tickled" by the fact that "this horse has so much ahead of him. One thing I’m particularly proud of is this horse never lost his confidence out there despite the fact that there were some moments when we were not harmonious. He never lost confidence in me." And though she hadn’t seen her score sheet yet, Page enthused, "I think he piaffed and passaged today for 9s."
Mariette Withages, speaking for the FEI, concluded about the 2006 edition of the FEI Dressage World Cup Final, "We should be very happy. It was a great final, super atmosphere and done really well."
Launched in 1986, this prestigious event is the only annual worldwide competition in the sport of dressage and was the first official dressage to music competition.
###
|
